How to Create an Oil-Like Finish on Acrylic Painting

Fixing a Trouble Spot in your Painting

MATERIALS USED

HOW TO PAINT (1).jpg

PAINTING: BLISS


MATERIALS LIST:

-See my free techniques tutorials for more info on brushes, mediums-

-Gallery-wrapped canvas (24" x 36")

-Acrylic Glazing Mediums: Satin and Gloss

-Flat brushes

-Utility/blending brushes

-Tissue paper (white)

-Texture paste or gel (the one I use)

-Sponges

-Paper towel

-Acrylic paints: Pthalo Blue/Green Indigo Blue Payne's Grey Turquoise Black or Black Acrylic Ink Titanium White -Water / spray bottle

MY RECOMMENDED PAINTING TABLE

My favorite and recommended painting surface: A utility table like this one:

*Links to my favorite items above - affiliate links in which I may earn a small commission :)

Learn how to paint this full-scale artwork in step-by-step online instruction:


TAKE TUTORIAL CLASS


How to Layer with Acrylic Paint (Create Transparent Layers)

One the the very best things I did for my painting was to discover, and USE, mediums!

If you’ve taken any of my courses/tutorials, you know I use these frequenetly to build textures as well as create transparencies with acrylic paints.

Acrylics are great.

However, they can be pasty, thick, plastic-y and not that appealing when now laid down properly.

One of the reasons people love watercolors is because they are washy and transparent.

One of the reason people oils is because they are soft and blended (usually).

This is one thing that acrylics, left on their own, are not: Washy, soft, blended

That’s where the wonderful world of mediums comes in!

For example, the painting shown below, was created with a series of blues. A bit of white, a drop of cream, but mostly all blues. Yet it looks layered and varied and not just, well, blue.

CREATING TRANSPARENCIES WITH ACYLICS

It’s as easy as using the right mediums and simple application techniques!


I’ll go over a few step I took to create this painting. If you would like to learn to create the entire painting, join my step-by-step tutorial BLISS

SOME OF THE COLOR USED: Partial list

FLUID ACRYLICS WERE USED, EXCEPT FOR THE WHITE



PTHALO BLUE

PRUSSIAN BLUE

TITANIUM WHITE

PTHALO TURQUOISE


SOME OF THE MEDIUMS USED:

I like various brands, but these are links to the exact brands/items I use

Acrylic SATIN Glaze Medium

Acrylic GLOSS Glaze Medium

Always coat your canvas in a coat or two of TITANIUM WHITE. I like the brand linked above. It’s inexpensive and works great, especially when used to coat a canvas!

Then I laid down a texture. I let this dry.

I started layering blues, using the acrylic glaze to mix them in various strengths before application. I let them DRY THOROUGHLY between layers (key!).


HOW TO FIX A TROUBLE SPOT IN ACRYLIC ART PAINTING
This is a section of this course; I ran into a trouble spot and I show you how I worked it out

SEE THE FULL COURSE

General mixtures: SATIN ACRYLIC GLAZE

1/2 glaze : 1/8 pigment = very light transparencies

1/2 glaze: : 1/4 pigment = deeper transparencies (and so on)


For gloss glazes, you can use the ratio above or add just a little gloss to the satin glaze mixture to give it a little glossy luster. If you want a LOT of gloss, just omit the satin and use gloss glaze alone!

I used each layers in a small section of the canvas, giving sections a “pop” of the color.

When done, I gave it a layers of my glazing “final” coat:

3/4 Satin glaze + 1/4 Gloss glaze + a little water (just a tablespoon or two)

Mix well and apply over the full dry painting with a flat brush. Let dry.

Varnish.

My favorite way to varnish a large canvas is with a spray varnish - outside! This stuff works great but it needs to be used in a very well ventilated area, or outside!


My favorite varnish is Winsor & Newton Satin Spray Varnish

I apply one coat horizontally across canvas. Cover all spots well. Let dry.

Turn canvas and then apply another coat so the varnish hits vertically and horizontally.

Let dry really well.



Watercolor Effect with Acrylics - HOW TO

​For those of you looking for a quick art technique:

WATERCOLOR ACRYLICS

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Acrylics that act like watercolors


This muted autumn abstract landscape looks like watercolor.

But...it's actually acrylics on canvas! How did I get the effect?

A layer of ABSORBENT GROUND. Let dry.

Then a layer of FIBER PASTE. Let dry.

This will give the canvas "tooth" and some nubby texture that a wash of acrylics will flow over like watercolors! I mixed the acrylics with some water (a small amount) plus acrylic glazing medium (SATIN).

You can build up layers of color (let dry in between).

Finish with a layer of glaze (use the same SATIN glaze). Let dry.

Varnish to protect.

It's one way to get a surface that will accept the acrylics like a watercolor, with a lot of flow and wash.

LEARN HOW TO PAINT WITH ACRYLICS - LIKE A PRO!

https://www.101artists.com


SUPPLIES

What I used to create this exact painting:

ABSORBENT GROUND
https://amzn.to/3mSp3Ve

FIBER PASTE
https://amzn.to/364WcXZ

SATIN ACRYLIC GLAZING MEDIUM
https://amzn.to/3crZPbL

SMALL CANVAS
https://amzn.to/305T4ai

FLAT BRUSH
https://amzn.to/2G8O8uc
I used a different brush, but this one looks great!



*The affiliate links I include are of the exact products I used.


ART TECHNIQUES FOR BEGINNERS

STEP-BY-STEP GUIDED BEGINNER ART - HOW TO PAINT WITH ACYLICS

PAINTING AN ABSTRACT TEXTURED LANDSCAPE

Creating a Neutral Abstract Landscape Painting

Summary:

The first step to creating a neutral abstract landscape painting is to prep the canvas, aka the background. The best part is if you’re a beginner, and especially if you’re trying your hand at abstract art, you don’t need a super fancy canvas as often robust paper is more than good enough.

We want the background to be a combination of titanium white and light gray, which adds definition and is pretty standard practice for painting with acrylic glaze mediums. To do that we use glaze and shade pigments. We’ll need a transparent oxide and shade grey color.

The background color is prepped by mixing some transparent brown oxide with the glaze paint. The combo color can then be applied to the wet canvas. Some of the color will flow, which is fine because we want it to blend. We’ll also want to avoid seeing any brushstrokes and a tonne of color. A mop brush can be used to spread the color across the canvas and to prevent brush strokes. Then allow it to dry.

Subsequent layers of subtle colors mainly a mixture of ceramic, black and some bronze will help to define the landscape.

After you’ve applied multiple layers, its time to add the texture to outline the horizon. Now the texture can be applied prior, but in this case, it can be done above the darker layers. The texture can be further highlighted by using some black. We can use the same black across the edges of the canvas to give it a more pronounced look.

AFFILIATE LINKS - THESE ARE PRODUCTS I USE/RECOMMEND:

CANVAS https://amzn.to/3dO9nwP

Flat brush https://amzn.to/3gaMSna

Mop brush https://amzn.to/2Vya2Mq

Modeling Paste https://amzn.to/2AiZcm1

High Flow Acrylics:

Shading Grey https://amzn.to/2YNpyGo
Transparent Brown https://amzn.to/31JaGe7

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